Article

Frith, Paul and Johnston, Keith (2020) Beyond Place: Rethinking British Amateur Films through Gender and Technology-based Perspectives. Screen, 61 (1). 129–137. ISSN 0036-9543

Johnston, Keith M and Frith, Paul (2020) Talking Colour: Rememering the Eastmancolor Revolution. Frames Cinema Journal (17). ISSN 2053-8812

Frith, Paul (2019) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television, 39 (2). pp. 233-250. ISSN 0143-9685

Street, Sarah, Johnston, Keith, Frith, Paul and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X

Frith, Paul (2018) ‘The most objectionable story I have ever had to report on’: Film censorship in post-WWII Britain and the ‘horrific’ realism of The Body Snatcher’. Horror Studies, 14 (1). pp. 7-19. ISSN 2040-3275

Frith, Paul (2017) ‘It was good to get out into the fresh air after seeing this film’: Horror, Realism and Censorship in Post-Second World War Britain’. Journal of British Cinema and Television, 14 (1). pp. 98-115. ISSN 1743-4521

Book Section

Frith, Paul (2020) Wholesome rough stuff’: Hammer Films and the ‘A’ and ‘U’ Certificate, 1959-65. In: Sixties British Cinema Reconsidered. Edinburgh University Press, Edinburgh. ISBN 9781474443883