Items where Author is "Tomizawa-Kay, Eriko"

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Number of items: 11.

Article

Tomizawa-Kay, Eriko (2021) Beauty in the Age of Empire: Japan, Egypt, and the global history of aesthetic education. Japanese Studies, 47 (1). pp. 232-236. ISSN 1037-1397

Tomizawa-Kay, Eriko (2018) Art and Remembrance: Gima Hiroshi, the Marukis, and Representations of the Battle of Okinawa. Mutual Images, 5. pp. 57-84. ISSN 2496-1868

Tomizawa-Kay, Eriko (2016) Changes in the Japanese art market with the emergence of the middle-class collector:A study of Hishida Shunsō (1874–1911). Journal of the History of Collections, 28 (2). pp. 261-277. ISSN 0954-6650

Tomizawa-Kay, Eriko (2016) Kawanabe Kyosi, 'Willow and Crow,' 'Crouching Monkey,' and 'Cat Pouncing on a Frog' from an Ex-Brinkley Collection Nihonga Album:河鍋暁斎筆 : 柳に鴉図・うずくまる猿図・蛙を捉える猫図. Kokka, 1448 (121 (11)). pp. 26-31. ISSN 0023-2785

Tomizawa-Kay, Eriko (2016) The Charles Stewart Smith Album: Rediscovering Forgotten Modern Japanese Painters of the late 19th Century: The Charles Stewart Smith Collection at the Metropolitan Museum of Art:メトロポリタン美術館所蔵 チャールズ・スチュワート・スミス・コレクション「近代日本画帖」. The Bijutsu Kenkyu, 419. pp. 27-71.

Kay, Eriko (2014) Noriko Aso. Public Properties: Museums in Imperial Japan. Asian Affairs, 45 (2). pp. 383-385. ISSN 0306-8374

Book Section

Tomizawa-Kay, Eriko and Kato, Hiroki (2024) Decentering Japanese Art History: Okinawa and Ainu. In: De-Imperialisation of Japanese Art History. Getsuyosha, Tokyo, pp. 24-60.

Tomizawa-Kay, Eriko (2019) Introduction to Japan: Seeding and cultivating an interest in Japan for first-year UEA students. In: Japan in the World, the World in Japan. Publisher Pro Universitaria, Romania, p. 101. ISBN 978-606-26-1087-6

Tomizawa-Kay, Eriko (2019) Reinventing Localism, Tradition, and Identity:The Role of Modern Okinawan Painting (1630s - 1960s). In: East Asian Art History in a Transnational Context. Routledge, pp. 102-125. ISBN 9781138480810

Tomizawa-Kay, Eriko (2017) 富泽爱理子, 何香凝对日本画的吸收与再发展,《借路扶桑:留日画家的中国画改良》(广州:岭南美术出版社,2017):He Xiangning’s (1878–1972) perception of nihonga (Japanese Style painting) and the development of works in China. In: 岭南美术出版社. UNSPECIFIED, pp. 83-112.

Tomizawa-Kay, Eriko (2016) Deconstructing Boundaries: Is 'East Asian Art History' possible?:Symposium Report. In: Deconstructing Boundaries: Is 'East Asian Art History' possible? SOAS, University of London, GBR.

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