Valdez, Jessica R. ORCID: https://orcid.org/0000-0001-5347-6465
(2018)
"Our impending doom": Seriality's end in late-Victorian proto-dystopian novels.
Journal of Modern Periodical Studies, 9 (1).
pp. 1-29.
ISSN 1947-6574
Abstract
This paper examines utopian/dystopian time and serial form in several late-nineteenth-century proto-dystopian novels, including Anthony Trollope's The Fixed Period, James De Mille's A Strange Manuscript in a Copper Cylinder, and H. G. Wells's The Time Machine. Through mingling the futuristic orientation of utopias and the presentist cause-and-effect experience of serial form, late nineteenth-century dystopias do not set these other worlds in the distant future; rather, they ask readers to see signs of their mortality in the everyday. In doing so, these paradoxical temporalities combine to highlight the finiteness of late-Victorian institutions in the face of more expansive depictions experience.
Item Type: | Article |
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Additional Information: | Funding Information: The author would like to thank the University Grants Committee in Hong Kong for providing the Early Career Scheme funding that made this article possible. Publisher Copyright: Copyright © 2019 The Pennsylvania State University, University Park, PA |
Uncontrolled Keywords: | dystopia,novel,serial form,temporality,utopia,communication,visual arts and performing arts ,/dk/atira/pure/subjectarea/asjc/3300/3315 |
Faculty \ School: | |
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Depositing User: | LivePure Connector |
Date Deposited: | 07 Nov 2022 14:30 |
Last Modified: | 07 Nov 2022 14:30 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/89690 |
DOI: | 10.5325/JMODEPERISTUD.9.1.0001 |
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