Warner, Helen (2018) Below-the-(hem)line: Storytelling as collective resistance in costume design. Feminist Media Histories, 4 (1). pp. 37-57. ISSN 2373-7492
Preview |
PDF (Published manuscript)
- Published Version
Download (184kB) | Preview |
Abstract
This article examines the storytelling practices of a particular community of “below-the-line” practitioners: costume designers. Their stories are often written out of media histories that privilege the testimonies of above-the-line (typically male) professionals. This article provides a corrective to these androcentric accounts of media production. Using material gathered from the Costume Designers Guild’s official publication, the Costume Designer (launched in 2005), I apply a gendered lens to the examination of trade stories and argue that the stories costume designers tell can be understood as radical acts of “speaking out” against a neoliberal production culture that attempts to silence them.
Item Type: | Article |
---|---|
Faculty \ School: | Faculty of Arts and Humanities > School of Politics, Philosophy, Language and Communication Studies (former - to 2024) |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Political, Social and International Studies Faculty of Arts and Humanities > Research Groups > Cultural Politics, Communications & Media |
Depositing User: | Pure Connector |
Date Deposited: | 17 Jan 2018 10:30 |
Last Modified: | 13 Aug 2024 00:26 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/65959 |
DOI: | 10.1525/fmh.2018.4.1.37 |
Downloads
Downloads per month over past year
Actions (login required)
![]() |
View Item |