Fruit, Water, Ice, Glass, Gold: Images of Human Beauty in Post-1980 Anglophone Fiction

Hart, Carina (2012) Fruit, Water, Ice, Glass, Gold: Images of Human Beauty in Post-1980 Anglophone Fiction. Doctoral thesis, University of East Anglia.

[img]
Preview
PDF
Download (1640kB) | Preview

    Abstract

    The 1960s and 1970s witnessed a critique of the concept of beauty
    in art and philosophy (McGann 190), with Christopher Janaway
    characterising aesthetics as the Cinderella of philosophy who “doesn’t
    make it to the ball” (vii). However, since around 1980 an increasing
    number of artistic and critical voices have begun to speak about beauty
    once again.
    Anglophone novels of this period, from 1980 to 2012, show a
    particular engagement with the subject through their exploration of human
    beauty. By figuring the beauty of characters in metaphorical terms, they
    demonstrate that conceptions of human beauty as either a sinful, fleshly
    temptation or an abstract ideal can be transformed. Five specific metaphors
    through which this is achieved form the subject of analysis for this thesis:
    fruit, water, ice, glass and gold. Ten post-1980 novels are examined in their
    use of these metaphors to reformulate human beauty.
    ! The preoccupation with the transformation and rewriting of beauty
    will be shown to indicate a distinct trend in post-1980 fiction, one which
    enacts a notable move away from fiction regarded as postmodernist. It will
    be demonstrated that the present concern with beauty emerges from the
    emphasis on surfaces in postmodernist fiction (Waugh, Practising
    Postmodernism 4), but that contemporary novels are characterised by a
    reconstructive and transformative approach which is less evident in earlier
    fiction.
    This transformative approach is directed to the division of beauty
    into concrete and abstract by philosophers such as Plato, Augustine, Kant
    and Adorno. In post-1980 fiction and the critical work of Wendy Steiner,
    Denis Donoghue, James Kirwan and others, this dichotomy is profoundly
    challenged. This thesis engages with these aesthetic philosophies in close
    readings of the ten chosen novels, to expound how the relationship between
    concrete and abstract human beauty is represented and rewritten in
    post-1980 fiction.

    Item Type: Thesis (Doctoral)
    Faculty \ School: Faculty of Arts and Humanities > School of Literature and Creative Writing
    Depositing User: Mia Reeves
    Date Deposited: 16 May 2013 12:53
    Last Modified: 16 May 2013 12:53
    URI: https://ueaeprints.uea.ac.uk/id/eprint/42414
    DOI:

    Actions (login required)

    View Item